FXPHD – AFX224: The 15 Mograph Spot
English | Size: 11.80 GB (12,670,960,800 Bytes)
Category: Tutorial
In this course, we will create a 15-second spot from start to finish. We will create a dynamic LED wall that communicates with the audio, add a car as a focal point in the room LED. Once the video is created, we will turn off the display of the car and the wall to create a stylized and dynamic equalizer in the same scene files from previous lessons. This will allow us to create a brand new movie. took 2nd place, which works with the same camera and elements from previous lessons. Once the creation of an equalizer is completed, we will create a pixelated 3D-city in After Effects with stylized skyscrapers surrounding our car, turning on .obj files Trapcode Form. In our last lesson, we disable our 3D-car to create a 3D-logo in After Effects using the built-in plug-ins.
Year: 2014
Manufacturer: FXPHD
Author: Thomas Green
Duration: 8:50:00
Type of material : Video Tutorial
Language: English
Content:
Class 1: Creation of the LED walls: I will provide an After Effects template to the students that we will use through out the course and is the same template I use on every projects. Exporting Cameras from C4D and introduction to Trapcode Form and Trapcode Sound Keys. Will create an We illuminated LED wall in Trapcode Form.
Class 2: Creation of the LED walls (continued): We will continue to dive deeper into Trapcode Form and finish the last 10 seconds of our LED wall animation. We will create a multitude of different animation that will utilize the pre-comping techniques taught in the previous class. I will demonstrate how to install scripts and explain the benefits of using the Ease and wizz, a fantastic script used to add style to simple animations.
Class 3: 3D Compositing: We will composited a 3D car in After Effects by breaking down how to properly use a normals pass to cast a light direction toward your model. How to use a UV pass in conjunction to fake a light reflection properly across the car. We’ll also break down how to use a Motion Vectors pass to create a realistic motion blur. We will also talk about different ways to use RGB mattes through shift channels and channel mixer to isolate specific sections of the car. Part 1 of 2
to Class 4: Part 2 of 2 The
Class 5: Creating Lens Flares from scratch: Now that we have our LED world and CG ca, we will add the finishing touches by creating some customized lens flares from scratch with native After Effects plug -ins. Through this process we will work with a few expression techniques to gain the ultimate control of our lens flares for the final touches of our scene.
Class 6: Cinema 4D Mograph and Sound Keys: In this class we will take the same audio track we used in classes 1 and 2 and mix it up with a little mograph in C4d. We will create a variety of stylized equalizers that will continually transform over the course of 15 seconds. Finished Once, we will export the scene as an .obj sequence in preparation for class 7.
Class 7: Working with Plexus: We will take our exported .obj sound sequence animation from class 6 and use that as our foundation for work working with After plexus to create Effects a highly stylized animation.
Class 8: Pixelized City: In this class we will turn off our LED walls created in class 1 and 2 to create a pixelized 3D city with stylized skyscrapers surrounding our car in After Effects by incorporating .obj with Trapcode Form files.
Class 9: Pixelized City (cont.): In this class we will create our animated pixelized floor to complement our skyscrapers from the previous class. The floor will transition from sound waves to dynamic patterns throughout the 15 course of the second spot.
Class 10: Creating 3D logos with native After Effects plug-ins: In this class we will push the limits of After Effects native plug-in Shatter. With this plug-in we will turn off our composited car from class ¾ and replace it with a dimensional 3d logo that looks 80% as good as 3D element but $ 500 dollars cheaper.
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